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GENRE DIFFUSION IN IAN MCEWAN’S NOVEL SWEET TOOTH Oleksandr Volodymyrovych Keba 38-48 PDF (Українська)
CINEMATOGRAPHIC FEATURES OF SELMA LAGERLOF’S PROSE POETICS Tetyana Anatolyivna Pakhareva 49-59 PDF (Українська)
DYNAMICS OF THE DEVELOPMENT OF ANALYTICAL FORMS OF THE FUTURE TENSE AT THE END OF THE MIDDLE ENGLISH – AT THE BEGINNING OF THE NEW ENGLAND PERIODS (A CASE STUDY OF THE WORKS BY J. CHAUCER AND W. SHAKESPEARE) Yuliia Volodymyrivna Kishchenko 62-68 PDF (Українська)
TYPES OF MODALITY IN THE ARABIC JOURNALISTIC DISCOURSE Andrii Romanovych Matskevych 69-77 PDF (Українська)
FROM THE ENCHANTED FOREST TO THE BATTLEFIELD: A COMPARATIVE ANALYSIS OF FAIRY-TALE AND WAR NARRATIVES Olesia Vladyslavivna Naumovska 80-92 PDF (Українська)
THEMATIC SWEETS AS A CURRENT COMPONENT OF NATIONAL-CULTURAL CULINARY CAPITAL: THE MASS-MEDIA ASPECT OF THE PROBLEM Eleonora Heorhiivna Shestakova 94-114 PDF (Українська)
