CONCENTRATION CAMP’S LOKUS IN MODERN AMERICAN AND RUSSIAN PROSE (W. STYRON, J. FOER, V. GROSSMAN, A. KYZNETSOV) H. BEZHAN 10-17 PDF (Українська)
THE RECEPTION OF HISTORICAL PAST IN THE NOVELS BY M. SHOLOKHOV AND M. STELMAKH А. ADAMOVICH 18-21 PDF (Українська)
TYPOLOGY OF ANACREONTIC MOTIVE OF A CICADA IN JOHN KEATS AND ARSENIY TARKOVSKIY’S POETRY N. ILYINSKA 29-34 PDF (Українська)
CATHERINE II IN G. DERZHAVIN’S ARTISTIC CONSCIOUSNESS: VERBALIZATION AND VISUALIZATION А. KISTANOVA 42-46 PDF (Українська)
ARTISTIC INTERPRETATION OF THE SOCIALAND CULTURAL CONTEXT IN A. NAIMAN’S BOOK “THE GLORIOUS END OF THE INGLORIOUS GENERATION” О. KLIMCHUK 47-52 PDF (Українська)
DISCOVERISM OF THE UKRAINIAN SPACE (DISCUSSION OBSERVATIONS OVER THE NOVEL BY MYKHAYLO SLABOSHPYTSKY) Ya. GOLOBORODKO 59-68 PDF (Українська)
TO THE QUESTION OF THE FORMS OF THE AUTHOR’S CONSCIOUSNESS IN LYRICS М. SAHNEVICH 69-73 PDF (Українська)
GENRE CHARACTERS OF THE BILDUNGSROMAN: THEORETICAL SEARCH IN THE LITERARY CRITICISMOF THE ХVIII – XIX CENTURY О. CHICK 74-79 PDF (Українська)
RUSSIAN DRAMATIC ART ON THE BOUNDARY OF THE 20TH – 21ST CENTURIES: PROBLEMS OF STUDY А. SAMARIN 80-85 PDF (Українська)
PECULIARITIES OF PERCEPTION OF AN ANTIQUE TEXT IN MEDIEVAL FRENCH LITERATURE О. SEMENETS 92-97 PDF (Українська)
CRITERIA OF STEREOTYPES OF THE CHARACTER IMAGE IN WORK OF LITERATURE Т. BORISOVA 103-108 PDF (Українська)
VITAISTIC COMPONENT OF THE CHARACTERS IN THE PLAY «DID NOT UNDERSTAND» BY DMYTRO MARKOVYCH І. BEREZA 116-120 PDF (Українська)
TELEOLOGY OF EGOCENTRISM AS UNFINISHED PROJECT BY MYKOLA KHVYLIOVY М. KUTSENKO 121-125 PDF (Українська)
THE SEMANTICS OF ZOOMORPHIC IMAGES IN THE PROSE BY M. KOTSYUBINSKY AND M. CHERNYAVSKY А. MENSHIY 132-140 PDF (Українська)
FOLKLORE KONTAMINACIONS IN CREATION OF PROSAICALLY-LYRIC NARRATION N. NAUMENKO 146-151 PDF (Українська)
MYTHOLOGEME OF THE STEPPE IN THE ARTISTIC PROSE BY DMYTRO MARKOVYCH N. CHUKHONTSEVA 152-158 PDF (Українська)
