No. 68 (2017): Southern Archive (philological sciences)
Romanic, Germanic and Oriental languages

DYNAMICS OF SYNTACTIC SEPARATION IN THE STRUCTURE OF FRENCH SURREALIST TEXT: LINGUISTIC AND CULTURAL VIEW

Published 2017-06-26

Keywords

  • syntactic separation,
  • surrealism,
  • technique of “automatism”,
  • allogism,
  • building up,
  • splitting,
  • art collaging
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  • синтаксична сепаратизація,
  • сюрреалізм,
  • техніка «автоматизму»,
  • алогізм,
  • монтаж,
  • розчленованість,
  • художня колажність
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Abstract

Our research is devoted to the problem of syntactic structure in separation of French surrealistic text. The article offers a new perspective on the issue of syntactical dissection in the linguistic and cultural aspects. It was established that the basic principles of surrealism are reflected in philosophy, language, literature, painting, music, movies and other forms of French art and culture. It was determined that by combining different elements (collaging), destruction of objective and syntactical relations (separation), time, spatial, sound, geometric relationships, etc., demonstrating absolute freedom, the desire of total change and transformation of surrealistic art, a new life, a new subjective world view was affirmed.

References

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1. Aragon L. Le Paysan de Paris / L. Aragon. – P. : Éditions Gallimard, 1926. – 73 p.
2. Aragon L. Une Vague rêve / L. Aragon. – P.: Éditions Gallimard, 1982. – 56 p.
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