LITERATURE DIAGNOSTIC DISCOURSE OF THE CHINESE DRAWNS: THE RELATION OF NEW FORMS OF VERBAL AND VISUAL IN THE DRAMA OF TIAN KHAN “WOMAN-INSPECTOR CE YAOHUAN” (1961).

Abstract

In the article the author considers the correlation between the new forms of verbal and visual in the Tian Han’s drama “Woman-Inspector Ce Yaohuan” (谢瑶环) (1961). Its features are revealed, as well as the novelists’ novelty in depicting the feelings, emotions and tragedy of the heroes. In addition, the author analyzed the traditional Chinese drama, which is represented by a conflict that was very relevant at the time.